Friday, April 8, 2011

Sci-Fi Adventures: A for Andromeda

I figured this might be a bit of fun. Editor man has all the cool goings-on of the music world posted day after day, so why not a little geek for the ole' Sparrow blog? This is the first of my proposed articles on sci-fi novels I waste my time reading, mainly old ones from the glory days of sci-fi starting from the late 1800s and ending around the mid to late 1980s. Quite a run for the genre! Everything sucked after that because we ran out of ideas. Anyway, each entry will serve as a short review of a novel I've tackled. I figured I'd start with a rather famous one, though no one remembers it anymore, A for Andromeda.

This one spawned a famous TV series that was eventually redone, and of course no one paid attention to that when it happened. At any rate, back in the early 60s we still thought we had a chance of eventually getting somewhere in space. Numerous novels appeared revolving around ideas of what alien life would actually be like, most quite clever. Even the derivative ones were pretty damn entertaining, if only for their humor factor. A for Andromeda was written as a collaboration between the famous astronomer/philosopher Fred Hoyle and "novelist" John Elliot. That's in quotes because this is actually the only book he ever wrote.

A for Andromeda is classic 'aliens-coming-for-us' science fiction. It takes a different approach, however. Instead of a physical invasion, the alien mind, which we never actually get to see in the book, attempts to get us to create a machine that will eventually lead to our destruction. It opens with a lot of science babble that's honestly quite dry, but it starts to pick up when the team of scientists catches an alien broadcast of sorts using a new, high-powered satellite dish somethingrather. One of the researchers, Fleming, is smart enough to figure out the data is from an alien race, perhaps a now dead race, and is being sent in binary. Using his skills, he discovers the code is actually a sequence describing how to build a never-before-seen, high-powered computer, and the rest of the message is data to be placed into it. Of course, this is the first build of excitement in A for Andromeda. From there, the story moves slowly, but there's enough tension in wondering what's going to happen to keep you reading. The computer is, of course, eventually built, and they start to feed it the data.

From there, the machine begins to essentially ask questions using very basic understandings of life in the universe. It eventually finds out, for example, that carbon-based life is present on earth. Using this method, it comes upon a formula that it feeds to the scientists. Said formula is a plan to create artificial, living tissue. At first a few growing cells, and then this eyeball beast with enough mental power to cause someone to commit suicide to test her body, and then eventually Andromeda, a totally hawt chick that is, of course, an uber being alien, even though she looks human. The computer has simply created something based on what we have here. And also of course, Andromeda slowly learns how to be human in spite of the fact she's here to kill all of us, she reaches a conflict with the machine, rebels, and blah blah there's a sad ending that I'll save for you to find out if you read it.

Really, A for Andromeda is an okay read, at least at first. There's enough cool science and theory for the nerds out there, and the tension of discovering exactly what the computer is going to do keeps the action going. But, really, when it comes down to it, other than some mixing of international intrigue through some spy games that are damn boring, A for Andromeda is bland overall. It takes a good chunk of chapters to really get going, and by then there's just barely enough to keep you interested. It's cool to see what the machine's going to do and it's a neat take on how an alien race could invade another world, but with the slow pace and occasional, anti-capitalist undertones, it might just be annoying to some readers. Cool book for the history of the genre, and okay overall, but there are better alien invasion novels out there.

Thursday, April 7, 2011

FLOOR Tour - 1st Time in 8 Years

Floridian heavy trio FLOOR are about to embark on their first proper tour in over eight years. Since disbanding, FLOOR's overdue notoriety has slowly grown, due in part from laying the foundation for guitar player/vocalist Steve Brooks' non-stop activity in TORCHE.

Reuniting to celebrate the release of their massive "Below & Beyond" discography/box set, FLOOR returned for a few key shows over the past year to an overwhelmingly positive response. As a result, the band is now hitting the road for the first time since 2003. In regards to the tour, Brooks had the following to say:

"It's a celebration. Celebrating our 19 years together, apart, back together, apart and back together again! Dropping bombs like it's Floorld War III!"

The (updated) scheduled dates are as follows:

4/9 - Gainesville, FL @ Common Grounds - w/ Hawks
4/10 - Atlanta, GA @ The Earl - w/ Hawks
4/11 - Charlotte, NC @ The Milestone - w/ Hawks
4/12 - Richmond, VA @ Strange Matter - w/ Hawks, Amarok
4/13 - Brooklyn, NY @ Music Hall Of Williamsburg - w/ Hawks
4/14 - Philadelphia, PA @ First Unitarian Church - w/ Hawks
4/15 - Providence, RI @ Club Hell - w/ Doomriders
4/16 - Buffalo, NY @ Soundlab - w/ Doomriders
4/17 - Cleveland, OH @ Grog Shop - w/ Doomriders
4/18 - Chicago, IL @ Beat Kitchen - w/ Doomriders
4/20 - Denver, CO @ Marquis Theater
4/22 - Missoula, MT @ Secret Show
4/23 - Seattle, WA @ Funhouse - w/ Totimoshi
4/24 - Portland, OR @ Branx - w/ Totimoshi
4/26 - Los Angeles, CA @ Bootleg Theater - w/ Totimoshi
4/29 - Dallas, TX @ Sons Of Hermann Hall - w/ Mammoth Grinder
4/30 - Austin, TX @ The Mohawk - w/ Mammoth Grinder
5/1 - Houston, TX @ Walter's - w/ Mammoth Grinder
5/2 - New Orleans, LA @ Siberia
5/3 - Tallahassee, FL @ The Engine Room

http://www.myspace.com/Floor

ORLANDOOOOOOOOOOOMMMMMMMMMM!!!

If you are in Orlando on April 23rd, and do not mind getting your head blown off you must attend this...

KRUIZ Rocks Your Gym Socks Off!!!


I used to wait for hours for this video to come on a pirate TV station in South America. They would play it about once every two weeks, somewhere in the middle of the heavy metal block, which usually lasted about 45 minutes and tended to rotate the same ten videos over and over and over. The image and the audio quality was fucked. Someone who worked at the pirate TV UHF station had probably taped it in VHS while on a trip to Europe and would occasionally sandwich it between tedious repetitions of Twisted Sister's classic "You Can't Stop Rock n' Roll" and Dio's "Holy Diver". Kruiz was on a different level though. They were thrashy but not thrash. They were fast, but I always thought of speed metal as faster and less melodic. 

I was hooked on Kruiz from the first time I saw the video. I had no idea who they were or where they were from. I knew they were named Kruiz because we can see the band's name displayed in the video but I was never able to get a hold of this record. Back then, I consumed Spanish metal magazines like an idiot (issues would make it down south eleven months too late), and never, ever saw any coverage of Kruiz. 

I love absolutely everything about this song; from its upbeat tempo to its catchy chorus and nifty solos. And I love everything about this video, from the vocalist's hairdo, foolishly disguising his thinning hair all the way to his extra large, knee high gym socks. Kruiz fucking rocks! 

Introducing WINO's PREMONITION 13

By now, the musical exploits of Scott "Wino" Weinrich are the stuff of legend. The Obsessed. Saint Vitus. Spirit Caravan. The Hidden Hand. Shrinebuilder. After releasing his solo debut in 2009, Wino went acoustic in early 2011 with Adrift, a gut-wrenchingly personal album written by a man who has survived a lifetime of
gut-wrenching scenarios and lived to tell the tales.

Wino's latest project sees him plugged back in-both to his amplifier and the full-band format. Enter PREMONITION 13, a musical entity that finds its genesis in jam sessions dating back two decades, when Wino first met fellow guitarist Jim "Sparky" Karow. "Jim and I have known each other for about 20 years," Wino explains. "His wife was basically the first manager of the Obsessed. We played guitars together one day and then we had this really good conversation about magnetism. We realized we had a common love of Mesoamerican stuff and ancient cultures. So we've been jamming together for about 15 or 20 years-just me and him, two guitars, no drums or anything like that."

And so what started as a series of informal jams out at Karow's spread in the high California desert-a place once inhabited by Brave New World author and LSD enthusiast Aldous Huxley-eventually became songwriting sessions. After enlisting the talents of Ostinato drummer Matthew Clark and former Meatjack bassist Brian Daniloski, they began playing live under the moniker Premonition. But a subsequent Internet search turned up quite a few bands with that very name, so Wino proposed a numerical addendum. "13 is one of my favorite numbers," he explains. "It's actually a very positive number, but it's been misconstrued quite a bit throughout history. Friday the 13th is considered bad luck in America, but that's just another fear trip. It's also considered good luck by some esoterically-minded folks because Friday the 13th was the day that Jacques de Molay, the last Grand Master of the Knights Templar, was burned at the stake. As he was being burned, he cursed the pope and the king, and they were both dead within a year."

Recorded at RTX guitarist Brian McKinley's unnamed studio in Costa Mesa, California, PREMONITION 13's debut sees Wino venturing into territories both new and familiar. "The band has two guitarists, first off, which I did for the first time in Shrinebuilder just a couple of years ago," he explains. "But I've also found that that there's a little bit of humor in this band. There're some tongue-in-cheek lyrical things; it's not quite as serious as some of the other stuff I've done. But at the same time, it is serious: we make some comments on conspiracy, the negative effects of control, and all the stuff one might protest against."

Musically, Wino cites Black Sabbath, King Crimson and his previous conspiracy-minded band The Hidden Hand as reference points for PREMONITION 13. He and Karow also make generous use of the E-Bow, a handheld guitar effect that sustains notes in a battery-powered electromagnetic field. "It's still pretty heavy, but it's definitely a departure from other bands I've been in," Wino offers. "I'm just excited for it to get out there so people can hear it."

Wednesday, March 30, 2011

MOON Signs to MORIBUND - Aaaarrrrrggggghhhhhh!!!!!!

Today, MORIBUND RECORDS announces the signing of Australia's MOON, dark occult black metal from one Miasmyr. The band's first release for MORIBUND shall be Caduceus Chalice, set for release on June 28th. MOON's Caduceus Chalice pervades a hypnotic sense of obscure mysticism within a dark ambience of distorted screams, cavernous echoes and entrancing pulse. Ceremonial Magick, invocations of spirits, glorifications of darkness, underworld realms and apocalyptic apparitions are the basis for this astral visionary experience. Breeding the unlife in archaic worlds, MOON is an ode to darkness and its spirit.

Biography

Obscure black metal from Brisbane, Australia, MOON is the visionary experience of ceremonial magick and astral projection. It works through transcendent hypnosis and bleak atmospheres.

Formed in 2007 by one Miasmyr, MOON stirred interest in the underground black metal scene for its ethereal spirit and raw but evocative sound. Three EPs were released, which sold well, and gained MOON a small following. The first full-length, Caduceus Chalice, was released on cassette in early 2010 and will be released on June 28th, 2011 on CD through MORIBUND RECORDS. MOON have been playing live since 2009, putting on dark and evocative shows in Brisbane.

Miasmyr has played in several black metal bands since 1999. Starting with the cult Catacomb, which played for many years in Brisbane, he has also played in Urgrund and Forn Valdyrheim. MOON, his solo project, also developed a strong following within its early life, starting with a compilation MCD called Magick Rituals from the Dutch label Svartgalgh Records. He went on to release a self-titled EP through Wolfsvuur (Netherlands) and two more MCDs, Apparitions and Blood. Following that, he featured as being the only black metal band on the Brismetal compilation with "Apparition III" from the Apparitions EP. Another split was released featuring MOON, Nekrosov and Nekros Manteia called The Haunting Resonance (Fall of Nature Records), which received good reviews for exhibiting black metal's fringes with outside genres.

The new full-length Caduceus Chalice was released on limited-edition audio cassette through Wolfsvuur Records (Netherlands) in February 2010. It evokes the darkness of the underworld and necromantic summonings. It has the underground black metal sound like Elysian Blaze, Xasthur and Striborg.

MOON is currently getting together a new lineup to play more live shows in Australia.

You got a record deal now buddy. Maybe now you can afford a better camera. Also, I would never, ever, ever compare my sound to Striborg's.  Sin Nanna has zero skills.

TRAP THEM - Vinyl & European Dates

TRAP THEM kick off a European tour on Friday, April 1st, supporting Rotten Sound, alongside Gaza, The Kandidate, and Haust. The band will have their new release, "Darker Handcraft," on clear vinyl, exclusively on this tour. TRAP THEM have posted a tour diary of their recent trek to SxSW in Austin along with The Red Chord and Gaza.

"Darker Handcraft'" was released in North America on vinyl on March 1st, and on CD and digital on March 15th. Due to popular demand, the vinyl is currently being repressed on black, a transparent green and on a red and yellow mixed wax; the green and red/yellow mix are limited to 100 copies each.

TRAP THEM recorded "Darker Handcraft" at Godcity Studio with Kurt Ballou (Converge, Disfear, Black Breath). The album artwork and layout was done by Justin Bartlett (Sunn 0))), The Funeral Pyre).

Check out the band's European dates, along with US dates to Tejas in Chaos with Converge and Burning Love, here:

4/1 Karlsruhe, Germany - Stadtmitte #
4/2 Koln, Germany - Underground #
4/3 Rosswein, Germany - Juha #
4/4 Prague, Czech Rep. - Exit Chmelnice #
4/5 Bratislava, Slovakia - Randal #
4/6 Munchen, Germany - Feierwerk Kranhalle #
4/7 Salzburg, Austria - Rockhouse #
4/8 Mezzago, Italy - Bloom #
4/9 Rome, Italy - Init #
4/10 Zurich, Switzerland - Dynamo Werk 21 #
4/11 Paris, France - Glazart #
4/12 London, UK - Underworld #
4/13 Plymouth, UK - White Rabbit #
4/14 Colchester, UK - Arts Centre #
4/15 Tilburg, Holland - Roadburn Festival
4/15 Antwerpen, Belgium - Trix #
4/16 Sneek, Holland - Bolwerk #
4/17 Hamburg, Germany - Hafenklang #
4/18 Lyngby, Denmark - Templet #
4/19 Gothenburg, Sweden - Henriksberg #
4/21 Stockholm, Sweden - Debaser Slussen #
4/22 Turku, Finland - Klubi #
4/23 Jyvaskyla, Finland - Lutakko #
4/24 Helsinki, Finland - Nosturi #
5/20 Baltimore, MD - Otto Bar %
5/21 Philadelphia, PA - Broad Street Ministry w/ Drop Dead %
5/22 Cambridge, MA - The Middle East w/ Drop Dead %
5/24 Syracuse, NY - Lost Horizons %
5/25 New York City - Santo's Party House %
5/29 Braddock, PA - Unsmoke Systems w/ Drop Dead %
5/30 Chicago, IL - Reggies %
5/31 St. Louis, MO - Fubar %
6/2 Austin, TX - Chaos in Tejas w/ Rotten Sound, Gaza, The Kandidate, Haust, w/ Converge, Burning Love

TRAP THEM's sound combines elements of old school Swedish death metal, punk, and d-beat and take influence from bands such as Entombed, Black Flag, Nasum and Tragedy. The band has toured with the likes of Napalm Death, Disfear, Skeletonwitch, Victims, Rotten Sound, Toxic Holocaust and Every Time I Die, among others, and played the Scion Rock Fest, Maryland Deathfest and the New England Metal and Hardcore Festival. The band has previously released two full-lengths and several 7-inches and EPs between Southern Lord, Deathwish Inc and Trash Art.

Wednesday, March 23, 2011

How to Fix the Dreaded YouTube Black Screen

Some of you may have encountered this problem. It's quite rampant on the internet, and of course Youtube Inc. has nothing public to say. Not to mention their "help forums" are pretty worthless. So what's the problem? A number of internet users, both Mac and PC, both Firefox and IE, have found that occasionally Youtube videos do not display. Instead of displaying, only a black screen remains. The audio works fine, there's just no picture at all, and oftentimes not even a tool bar at the bottom. Firefox users have sometimes found they can at least manipulate pause, volume, and view the timeline of the video, but that's all. What's the issue?

Well, since Youtube's not going to tell us and don't seem to really care, let me explain. This has nothing to do with cookies. This has nothing to do with your internet history. This has nothing to do with your "trusted" sites. Don't bother right-clicking on the video to bring up the Adobe Flash Player settings, because you'll just be taken to their site and a bunch of nonsense that explains little. Ignore all that bullshit because the problem can be corrected quite easily. Now, on a side note, it seems that a number of people have noticed that the problem arose for them after updating their Adobe Player. I can personally verify this is what happened to me, but I'm not sure exactly what the connection is in terms of the nitty gritty code that makes everything work. I'm good, but not that good, or actually I just don't care. Most have also found the problem went away in a few weeks, but who wants to wait? Here's how to fix it.

Now, first off, allow me to apologize to Mac users. I have no idea how it works on a Mac, so if you do or can figure it out based on my instructions here, please post in the comments below so I can update the blog for others. Anyway, here it is, real simple. ONLY FOR PC USERS. Click on "Start" at the bottom left on your computer screen. Next click on "Control Panel". Now you need to find "Display" and click on it. There are two ways to do this. 1. You can first click on "Switch to Classic View" on the left. Then click on "Display". 2. Or, if you prefer using the category mode, click on "Appearance and Themes". At the bottom you will see "Display". Click it.

Now that you've done that a little screen comes up that says "Display Properties". Click on the "Settings" tab. A picture with your computer screen and such will appear. Near the bottom right you'll see you can click on a button labeled "Advanced". Do it. A new screen with information about your computer and tech stuff will appear. At the top, click on the tab that says "Troubleshoot". Here you will be on the screen that enables you to manipulate your hardware acceleration. THIS is the problem. Switch it to NO ACCELERATION by moving the tab all the way to the left. Now click "Apply" and then click "OK" to exit the display boxes. That's it. You will now be able to view Youtube videos again with no problem. As a bonus, this also allows you to play older PC games that were built on Windows 92 and even earlier, so if you ever tried and found the sound was screwed up, as well as the graphics, adjust this same thing and you'll be able to play the classics. Any questions or problems, post here, but there's your answer!

Saturday, March 19, 2011

FORGOTTEN PATH Magazine

After almost two years of silence, the new issue of “Forgotten Path Magazine” has been unleashed. This time it offers 120 b/w professionally printed and designed pages of the  blackest art from all corners of the world. 

The magazine includes different reports from Metal  events/festivals, as well as more than 200 critical reviews on various albums/demos, and of  course – interviews with the following acts/parties: SHINING [Swe], LOITS [Est], BESTIAL RAIDS [Pol], “Antichrist/Dead Center Prods.” [Ukr],  ENSLAVED [Nor], LUCTUS [Ltu], KEEP OF KALESSIN [Nor], GRAVELAND [Pol],  CODE [Gbr/Nor], “Supremacy Through Intolerance” [Ger], EMPTY [Esp], STRIX [Ita],  ANIMUS MORTIS [Chi], TELOCH [Fin], LEBENSESSENZ [Bra]. 

The magazine can be ordered through email mailto:forgotten.path.mag@gmail.com  

The price for one copy – 6 Euros + shipping. We offer absolutely flexible prices for the wholesalers. 

Ask through email. You can find all the info on our website www.forgotten-path.lt. All questions will be answered through email: mailto:forgotten.path.mag@gmail.

Regards,

Odium
www.forgotten-path.lt

Monday, February 28, 2011

THE BEST OF METAL BLADE, Volume 2 (Metal Blade, 1987)

Just received my copy of The Best of Metal Blade, Volume 2, the vinyl edition from 1987. Which I ordered from Amazon last Wednesday and which I was expecting to arrive in much better shape. As the seller had listed it: Used - Very Good I was expecting barely noticeable wear but was shocked when I noticed how fucked up the jacket was. 

On the comments, the seller had noted that 'binding is frayed' which I do not recall reading when I made the purchase and which I must add, is an understatement. The binding is completely fucked up, sliced open and barely holds both sides together. The lettering in the spine is totally gone. Clearly, this is not the result of weathering but of an attack en masse of moths, termites or some other cardboard-loving parasite. When I opened the gatefold a sheet of dust covered it all. It was like one of those movies when the starring character discovers an ancient tome and blows on it just so that he can see what the title is. I am pretty sure this record has not been played in well over a decade.

The seller also added 'some slight wear on cover' which yeah, is quite accurate. What he failed to comment on was the state of the record sleeves. Both were ripped and yellow and in both instances the records were portruding at the bottom. The records play fine but both have light to heavy wear which the seller also failed to comment on. Oh well. These records and I go back in time and I guess I can't ask for gold when all I am paying is $17.

A couple of decades ago, my older brother was the proud owner of Volume 1, which included Celtic Frost, Bitch, Nasty Savage, Hirax, Pandemonium, Slayer, Omen, Fates Warning, Tyrant and several others and which was an absolute rarity in South America. As I kid I worshiped this compilation. Since my brother was much older and made good use of his dickish character  every chance he got I was not allowed to go anywhere near his vinyl collection. But I couldn't have given less of a fuck. Every time he'd go off to school or work I'd dive straight in, usually spinning Volume 1, or a few other personal favorites from his collection like Celtic Frost's Into the Pandemonium (which I now own after having stolen it from him sometime in the late 90's), Manilla Road's Open the Gates or Grim Reaper's Fear No Evil.

It was either in 1989 or in 1990 that a local record company issued a series of metal releases on cassette format. One of their releases was The Best of Metal Blade Volume 2. But in typical local fashion they managed to screw it up in every possible way. I bought the tape as soon as it hit the market. To say that it looked cheap would be to praise it. Instead of releasing two cassettes like the American version, only the first record was issued. If they had to pick one out of two for budgetary reasons it made sense, as the first record is where the most quality acts were; Slayer, Sodom, Slayer, Detente, Hirax, Hallow's Eve, as opposed to Sound Barrier, Krank, Cities, Exxplorer and Juggernaut.

But that wasn't it. The cassette had no info on it. There was only one panel with one side printed; the cover, which listed just a few of the bands and on the reverse we could find song titles but no band names. My favorite songs of this half compilation were Sodom's incredible "Deathlike Silence" and "Holy War", which I had no idea who played it. For the longest time I thought it was Tyrranicide but a few years ago I came to find out it was Detente. 

I am listening to the second record right now and with a few exceptions it ranks right above decent. The fourth half starts off with a horrendous live rendition of "Live and Let Die" by Lizzy Borden and that is a guilty pleasure I could have never envisioned had I not purchased this record. Even if it is in such a horrid state, it was $17 well-spent.

Saturday, February 26, 2011

ROMERO Tour Dates - GRINDCORE KARAOKE Free!!!

I still owe stoner / doom band Romero a review of their debut Solitaire. I suck for taking so long. The thing is, with 7 inches I have to get the necessary time in. To go through at least eight 7 inches at once takes longer than expected. So my apologies for sucking and for taking my sweet time.

Anyway, the band is hitting the road, so make time if they are coming anywhere near you:
Mar 11, 2011 - Winona, MN (US) @ CANSWER HAUS
Mar 12, 2011 - Fargo, ND (US) @ Red Raven Espresso Bar
Mar 13, 2011 - Rapid City, SD (US) @ Skullets
Mar 14, 2011 - Great Falls, MT (US) @ 406 Club
Mar 16, 2011 - Seattle, WA (US) @ The Funhouse
Mar 17, 2011 - Portland, OR (US) @ Plan B
Mar 18, 2011 - Portland, OR (US) @ The Know
Mar 19, 2011 - Boise, ID (US) @ The Shredder
Mar 20, 2011 - Salt Lake City, UT (US) @ Bar Deluxe
Mar 21, 2011 - Denver, CO (US) @ Rockaway Tavern
Mar 23, 2011 - Kansas City, MO (US) @ Harling's Upstairs Bar & Grill
Mar 25, 2011 - Milwaukee, WI (US) @ Ground Zero
Mar 26, 2011 - Green Bay, WI (US) @ The Crunchy Frog

Romero has issued their seven inch through the new label Grindcore Karaoke, which as far as I can tell is the baby of Jay Randall, vocalist for Massachusetts freakazoids Agoraphobic Nosebleed and who is also kind enough to offer all his releases as free downloads. These can all be found on their website right FUCKING here....


Wednesday, February 23, 2011

WARFARE NOISE I - Compilation (Cogumelo, 1986)

When I was a kid I knew this dude who was a total fucking dick. A real asshole. A total douche. I was best friends with his younger brother and he used to beat him up. I kind of hated him for that. But I also hated him because he was an asshole, a smart ass who used to pick on everyone who was smaller and younger than him.

When I was about eighteen years old I sold him a broken walkman. It was yellow and pretty small and he thought it looked pretty modern. That's why he wanted it. I thought it looked kind of girly. That was the second reason why I wanted to get rid of it. The first one being that it did not work very well. The following day he came to my house. He was pissed off because I had sold him a walkman that didn't work. He threatened to beat me up. He could have. Easily. He was about twice my size and used to lift weights in his backyard. He had filled a couple of buckets of paint with cement and had connected them with a metal rod. He would lay on his back and do bench presses with that.

I told him that I was not going to give him his money back and that he had probably broken it and was now trying to return it. The conversation cooled off quickly and concluded when this asshole walked back to his house with the walkman in hand. He was clenching it. I was a bit shaken. Never been much of a fighter but that day I realized that it takes an asshole to confront an asshole.

Anyway, I had to put up with this dick because he was the one who introduced me to Mayhem, Minotaur, Sarcofago and the whole Brasilian movement. He had connections who were into underground metal and on one occasion even showed up with a copy of Slayer fanzine. He talked about Mayhem with reverence. I loved their logo but had never heard their music. And we are talking late 80's, way before the whole Norwegian scene blew up. He used to dub tapes of his friends of pretty obscure bands. Imperator was his favorite. Minotaur was a close second. He was pretty good at drawing logos, which he would work on for hours in the spines of tapes. He learned silk screening and started putting logos in white T shirts. 

One day he showed up with a tenth generation copy of Warfare Noise. He had taped over one of his mother's bolero tapes in his shitty boombox. The quality of the sound was beyond disastrous. You could barely distinguish between songs, but to him, it all sounded fantastic. I kind of admired his blind resilience in the face of bad sound. 

Dickboy does not listen to metal anymore. He is one of those people who outgrew metal and considers it childish. Back then, I could not listen to this compilation and take it seriously. Nowadays, I love it. I now possess this blind resilience in the face of bad sound.

((WARFARE NOISE HERE))